Poetry

Self-Portrait as Desert

by Rodney Gomez

Is there a song
for recovery

that doesn’t also
sting? That straightens

the coat hanger
called violence?

You ask for water
but I have none

to pour you.

I strike an altar
with melted candles.

Saint Martin de Porres
wears a blast crater

in his heart.

All I know by this time
is how bullets
cannot possibly feed

a collapsar.

Yet I use them
to sustain
and underwrite
my grief.

*
Tonight I bury myself
the same as any other night.

First a tumbledown
quilt with lace hemming.

Then glass which resists
secrets.The ease

with which a gun
shapes itself into a broom

in my palm, how it dissolves
what I never was.

I use ghosts
as inhibition

to pixelate the landscape.

Underground,
I make passionate love
to my previous molts.

Will I recover the old me,
the one who didn’t ache
after every annihilation?

The one who didn’t say
I would be better off

never having arrived?

*
Good-bye, ghost.
Good-bye, fat lip.

I suppose I am turning
into my father.

Just today I barked
an order into dawn

and it went right back
to sleep.

No more family
and their Naugahyde
patience. No more

novelty of falling hair.

Is there a way
to recover the weather vane

I once was, scrape it
clean of rust,

start it up again
like a windup doll?

Is there a way
to vanquish

the tyrant
of the interior?

I am not a romantic

about pain. I wear it
rebozo. I wear it

loose like the hand’s bones
around my throat.

*
When I die, discard
my razors and hide

a lantern in my coffin.

Why is every animal a fuse?

Why will every man
invariably try to annihilate
another?The voice

staked into the ground
begs to be finally let out.

Before I knew the knife
I knew the need,
a prow parting skin.

Then I spilled my body
on linoleum, holding
my hands up like a stab.

A wave wearing away rock
at the edge of a creek.

An excuse
for the eventual expulsion
of the alien body.

Rodney Gomez is the author of Citizens of the Mausoleum and Ceremony of Sand. His collections Arsenal with Praise Song and Geographic Tongue, winner of the Pleiades Press’s Visual Poetry Series, are forthcoming. His work appears in Poetry, New England Review, Poetry Northwest, the Gettysburg Review, Blackbird, and other journals. He is a member of the Macondo Writers Workshop and serves as the 2020–2021 Poet Laureate of McAllen, Texas.

FROM Volume 69, Number 2

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