William Walker
by Bailey Cohen-VeraIn 1855, the owner of the New Orleans Crescent newspaper walked into Nicaragua and declared himself king. By the time a year had passed he had reinstated slavery, declared English the official language of the nation, and restructured its economy to encourage further colonization by the United States. Unfortunately for the new ruler, he made an enemy of the trainmaster Cornelius Vanderbilt, who hired two farmers to assassinate him, forcing him to flee back to the United States on a gunboat, abandoning his throne. Five years later, he would attempt to reclaim it, only to be captured in the region of the Mosquito Coast, delivered to Honduran authorities, stood up against a wall, and shot.
King slayer.
Little prayer.
Faith in that small word
lead—the innocence
of the dancer. Financer.
No answer. What
beyond weather
should a new country
follow? It was the beginning
of the wet season;
the only way
to become a man
was to kill one.
Yellow sun.
Empty lung.
The bullet
can be a kind
of medicine
that moves emptiness
from the soul,
exposing it
in the eye.
Brief sigh.
Blackened lie.
There is only one
way to trust a king
—when he is dead,
his once-regal
clothes, a symbol,
now irreparably frayed.
Some time after his death, bananas
adorning the skulls of colonizers
were freely displayed.