Poetry

The Body Is Not An Apology Except For Mine Sometimes

by Rob Macaisa Colgate

I have a reputation of being loved but not in a good way
like how a corporate worker loves their office. I am an office
and the cubicles pattern on endlessly, each quiet and empty
yet not quite fit for sleep. In every city I have lived in
I have many memories but they are all of me falling asleep
on different unremarkable nights, thinking the same thoughts
every time—I don’t know how to do this, I don’t know why I have to.
I am not brilliant. I do not know how flowers work.
I do not pay for the bus. I save my token so that I might
have an excuse for the heaviness that slows me. There is weight
I want to sanctify and there are people I want to forget.
There are people I want to remember and when they call
still I wonder: why. When the duck dies the vultures must eat it.
When disability dies I must bring it back from the dead
so I can keep being myself. When gender dies I must find a way
to remain fabulous. One thing about psychosis is that the physics
are fabulous. This is perhaps a problem. I should learn more
about problems. Let the sickness fill me so I might live full.
Let the brain remain swollen to close up memory’s gaps.
In the distance I saw dancing. In the distance I saw no more distance.

Rob Macaisa Colgate (he/she/they) is a disabled bakla poet and playwright. A 2025 National Endowment for the Arts and 2024 Ruth Lilly and Dorothy Sargent Rosenberg fellow, he is the author of the poetry collection Hardly Creatures (Tin House, 2025) and the verse drama My Love is Water (Ugly Duckling Presse, 2025). The managing poetry editor at Foglifter, he lives in Chicago with his partner and their cat, Bibingka.

FROM Volume 74, Numbers 1 & 2

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