Spring (Pablo Picasso)
by Victoria ChangI used to think that grief was heavy. But it is
actually like an edge. It weighs nothing.
It consumes itself to remain a line. On some
days, when I am too heavy with joy, I divide
myself into cubes and triangles so that I can
once again be faceted like grass. What to
do with my dead mother’s proverbs, my
dead father’s unlived years. Because I killed
him, I have the extra years in his briefcase.
The black case had a plastic red label with
his English name embossed on it. Briefcases
were once hardcased, lasting longer than
the people who carried them in sunlight,
kneeling in front of a goat, his hair turning
into the tree trunk. My father’s briefcase is
so heavy, it feels like a eucalyptus trunk.
I move it from house to house. Each time
it takes one more person to move it. I don’t
know where the extra years are coming from.
There’s no one left to ask. Now I know that
when we die, each of us has a surplus. That
the body leaves, but the years stay.
Related
The Swan, No. 23 (Hilma af Klint)
Obit
Obit