The Peak

An orange graphic with white text that reads, "Poets Reading Poems from the Spring 2023 issue. Chelsea Harlan Reads When Foamhenge Was Still Where It Was"

Chelsea Harlan Reads When Foamhenge Was Still Where It Was

Chelsea Harlan, author of “When Foamhenge Was Still Where It Was” from Volume 72.2, reads her poem out loud.

Six Questions for Irène Mathieu about her New Collection, Milk Tongue

Irène Mathieu, featured in Volume 68.2, published her fourth collection of poetry, milk tongue, on June 13th, 2023. Here, she responds to questions about the book and her writing process. Can you tell me the story of this book: When did you start working on it? What were some of your preoccupations as […]

An blue graphic with white text that reads, "Poets Reading Poems from the Spring 2023 issue. Yuan Changming Reads Lesson One in Chinese Character/s: a Bilinguacultural Poem about Heart

Yuan Changming Reads Lesson One in Chinese Character/s: a Bilinguacultural Poem about Heart

Yuan Changming, author of “Lesson One in Chinese Character/s: a Bilinguacultural Poem about Heart” from Volume 72.2, reads his poem out loud.

A cross cultural understanding: David interviews Yuan Changming

David Siew Hii, our editorial fellow in poetry for issue 72.2, interviewed every poet in the issue. To better center their voices,they removed their questions, giving them more space to talk about poetry and life. The document that follows is a curated, compressed version of that conversation. Read Yuan’s poem “Lesson One in Chinese Character/s: […]

An orange graphic with white text that reads, "Poets Reading Poems from the Spring 2023 issue. Lauren Camp Reads Cell Theory."

Lauren Camp Reads Cell Theory

Lauren Camp reads her poem “Cell Theory” from Shenandoah Issue 72.2, Spring 2023.

An blue graphic with white text that reads, "Poets Reading Poems from the Spring 2023 issue. Luisa Caycedo-Kimura Reads Queridas tías."

Luisa Caycedo-Kimura Reads Queridas tías

Luisa Caycedo-Kimura, author of “Queridas tías” from Volume 72.2, reads her poem out loud.

From The Summer People to The Winter Guests

Tanya Žilinskas, author of “The Winter Guests” from Volume 72.2, recounts her inspiration for her story revealing the behind-the-scenes of the setting of Mount Imola and the main character’s intentions. Shirley Jackson’s short story “The Summer People” revolves around an aging couple, Mr. and Mrs. Allison, who decide to stay on at their […]

Inviting the Reader to Make Meaning

Tom Sokolowski, author of “Feeding Hour” from Volume 72.2, explores the importance of endings as a means to inspire imagination from readers. He discusses pieces with memorable endings and argues that the key to an ending that will stick with a reader is a crucial image in the final scene that leaves the readers in […]

Three Questions for Mirinae Lee about her Debut Novel

Mirinae Lee, author of “Bring Down the House” from Volume 70.1, published her debut novel, 8 Lives of a Century-Old Trickster, on June 13th, 2023. Here, she responds to questions about the book and her writing process. Can you tell me the story of your forthcoming book? When did you start working on […]

Crossover and mess and fluidity: David interviews Patrycja Humienik

David Siew Hii, our editorial fellow in poetry for issue 72.2, interviews Patrycja Humienik

We Didn’t Have This Book When We Were Boys

Samuel Rafael Barber, author of “A Guide for Boys: Adventures and Other Ventures into Human Capital (Ages 6+)” from Volume 72.2, gives us insight into the origins of and voice behind this novel excerpt. We didn’t have this book when we were Boys, so I had to write it. Read this book to […]

A Grief Explored

Michelle Lerner, author of “Sanctuary from Ring” from Volume 72.2, shares the origin story of the book, its relationship to loss, and reaches out a hand to the rest of us In 1993, when I was twenty-two years old, I lost someone whom I’d loved intensely. In the aftermath, I experienced a grief that would […]

Ibagué to Astoria

Luisa Caycedo-Kimura writes about home, family, and moving to a cold new place.

Self-Discovery on a Safari

A conversation with Hannah Fischer about her nonfiction piece “The Elephant’s Tiptoe.”

Three Sisters

Jane Satterfield talks about her new book, The Badass Brontës.

Tinkering

Ann Wilberton writes about joy and the hopeful art of tinkering.

Piecing it Together

Quinn Adikes reflects on writing as collaging.

Observing Your Stories

Karen Heuler discusses her three new books and offers advice on writing your truth.

Erasure and Voice in Ultrarunning: On “Mile 11—”

Lucien Darjeun Meadows considers ultrarunner’s relationships to the trails in an essay on his poem, “Mile 11—”

Waterborne Feelings

Mildred Barya reflects on visiting Gorée Island, bearing witness at the Door of No Return, and writing ancestral trauma.

YOU’RE IN LOVE

CJ Scruton reflects on the origins of their poems “Self-Portraits in Jurassic Park” and “In Transfemme Quarantine” as well as the act of misremembering.

The Animal Kingdom & Dreamwork

Poets and longtime friends Jodie Hollander and Mildred Barya discuss writing their forthcoming collections.

Reading Redwoods

A song suggestion and insight into Volume 72.1 poem “Albino Redwoods” by Leona Sevick.

The Water Meets the Sky: On How a Story Takes Shape

Doris W. Cheng explores the connections between politics, love, and invisibility as the first chapters of her novel take shape.

Home & Place as Sparks for Writing

Nonfiction writer Donna Hemans and poet Carolyn Oliver discuss “home” as inspiration, writing sensory, and their future work.

A Silent Dialogue with Douglas W. Milliken

The author of “Anyone Can Have a Good Time” reflects on gardens, legacy, memory, and returning home in a conversation with August Donovan.

My Grandfather with the Tiger Eyes

Juhea Kim shares how Korean history and her family legacy serve as the foundation for her newly released novel, Beasts of a Little Land.

Let a Little Magic In

Shell St. James, author of The Mermaid of Agawam Bay, reflects on her childhood by the sea and encourages readers to open themselves up to magic.

Rooted in the Hiding: On “Distillation”

Athena Dixon talks about the deeply personal roots of her nonfiction piece “Distillation.”